Blog revival! New song from the Novembers!
Love the sound of it, though it's undeniable that the melody is quite streamlined and poppy. It reminds me a lot of "philia", first track off their last release. Beautiful layers of sound~ The video fits the song perfectly. I love this band.
New album "Misstopia" will be released March 10th.
http://www.myspace.com/thenovembers11
Showing posts with label the novembers. Show all posts
Showing posts with label the novembers. Show all posts
Tuesday, February 23, 2010
Wednesday, August 19, 2009
The Novembers, 八十八ヶ所巡礼
July 24th, Shimokitazawa Club Que (old post, sorry!)
Club Que were absolutely ridiculous when it came to letting people into the venue. Everyone had to line up in a queue exactly according to ticket numbers, and they made lots of fuzz about it. My number was 159. Fairly late, I thought, but when I was finally allowed to enter the venue there were only two rows of people there AND an available spot at the first row. So much for nothing.
Similar to Basement Bar the vacant spot was at the far right side. Guitarist Kengo is apparently not too popular. It looked like most people were there to see the Novembers and not the other band. This time it was Quip Magazine’s anniversary event. They have an artist column were different people from bands write whatever they like, and Yusuke Kobayashi from the Novembers has this cartoon going on featuring among others an ugly dog and guitarist Kengo. Is it any good? Well there’s a reason why he’s a musician and not a manga artist..
For this show there were only two bands on the bill and even better, both bands got to play for an extra long time i.e. an hour as opposed to the regular 30 minutes bands get at regular events. Unfortunately that meant that I also had to endure an entire hour of the first band…
八十八ヶ所巡礼 (hachijuhakkasho junrei)’s vocalist/bassist is officially the skinniest Japanese guy I have ever seen. The Novembers are fairly skinny guys too, but they looked perfectly normal compared to this guy. Seriously, he looked like a stick man that could break any second. In contrast the other guys were a dude in black who looked like he enjoyed 80’s metal (he had his own fan on stage blowing at his hair maiking him look like he was in the cheezy video) and a buff drummer who played without a shirt. An interesting group of people. Ahem, now that I’ve got that out of the way, I was not too impressed by their music (which could explain why I spent most of the time staring at their looks). After a while the vocalist said: "we're not quite done yet. In fact we're only halfway". Oh no...
http://www.myspace.com/katsuyashimizu
The Novembers, again! Let's keep it short. The very end of “mer” moved me to bits. There are always a couple of girls crying under a Novembers concert, but I have never been moved in that way. Not to the point were I'm shedding tears. In Japan I get the impression that everyone cries though, and apparently it doesn’t take more than the Doraemon-movie. Anyways, tonight was special. “philia”, “mer”, and different from the other recent shows, “picnic” were beyond amazing. Also, the fact that this was my last time seeing the Novembers before I left Japan made feel sad, but at the same time incredibly happy that was able to see them so many times, because they are truly a wonderful live band.[/sentimental rant]
Club Que were absolutely ridiculous when it came to letting people into the venue. Everyone had to line up in a queue exactly according to ticket numbers, and they made lots of fuzz about it. My number was 159. Fairly late, I thought, but when I was finally allowed to enter the venue there were only two rows of people there AND an available spot at the first row. So much for nothing.
Similar to Basement Bar the vacant spot was at the far right side. Guitarist Kengo is apparently not too popular. It looked like most people were there to see the Novembers and not the other band. This time it was Quip Magazine’s anniversary event. They have an artist column were different people from bands write whatever they like, and Yusuke Kobayashi from the Novembers has this cartoon going on featuring among others an ugly dog and guitarist Kengo. Is it any good? Well there’s a reason why he’s a musician and not a manga artist..
For this show there were only two bands on the bill and even better, both bands got to play for an extra long time i.e. an hour as opposed to the regular 30 minutes bands get at regular events. Unfortunately that meant that I also had to endure an entire hour of the first band…
八十八ヶ所巡礼 (hachijuhakkasho junrei)’s vocalist/bassist is officially the skinniest Japanese guy I have ever seen. The Novembers are fairly skinny guys too, but they looked perfectly normal compared to this guy. Seriously, he looked like a stick man that could break any second. In contrast the other guys were a dude in black who looked like he enjoyed 80’s metal (he had his own fan on stage blowing at his hair maiking him look like he was in the cheezy video) and a buff drummer who played without a shirt. An interesting group of people. Ahem, now that I’ve got that out of the way, I was not too impressed by their music (which could explain why I spent most of the time staring at their looks). After a while the vocalist said: "we're not quite done yet. In fact we're only halfway". Oh no...http://www.myspace.com/katsuyashimizu
The Novembers, again! Let's keep it short. The very end of “mer” moved me to bits. There are always a couple of girls crying under a Novembers concert, but I have never been moved in that way. Not to the point were I'm shedding tears. In Japan I get the impression that everyone cries though, and apparently it doesn’t take more than the Doraemon-movie. Anyways, tonight was special. “philia”, “mer”, and different from the other recent shows, “picnic” were beyond amazing. Also, the fact that this was my last time seeing the Novembers before I left Japan made feel sad, but at the same time incredibly happy that was able to see them so many times, because they are truly a wonderful live band.[/sentimental rant]
The Novembers, おとぎ話, Qomolangma Tomato
July 12th, Saitama Heaven’s Rock
I always thought that Saitama was far, far away from Tokyo, but turns out it’s pretty close, and that Heaven’s Rock is a really good live venue. Heaven’s Rock lies a couple of minutes away from Saitama Super Arena which is as the name implies a huge arena. Today’s concert was a part of Qomolangma Tomato’s “Camouflage” album release tour, and on the bill they had Otogi Banashi and The Novembers. Otogi Banashi with their charming, sweet songs didn’t fit in anywhere musically, and the band themselves were really surprised to be invited to this event, but apparently Qomolangma were big fans.
I was a bit surprised to see that The Novembers were first up. Compared to Basement Bar with it’s cramped space and awful sound Heaven’s Rock was great. Spacious, no problem seeing the stage from far behind and an excellent sound. Crisp and clear sound quality from beginning to end. We were also able to stand further behind and see almost the entire stage without any problems. It could be because Novembers fans are surprisingly short. I'm so not kidding. There's something off when I feel tall.
I like Kengo’s guitar parts in “dnim”. Like calm waves in the background of an otherwise pretty violent song. They actually played all songs off Paraphilia. Another thing I noticed was that they didn’t play anything from their first self-titled EP at all.
www.myspace.com/thenovembers11
Otogi Banashi were super charming as always. I don’t think that many people had showed up to see them there, like I mentioned earlier they didn’t quite fit in. The crazy moshing from their oneman was nowhere to be seen except for a gang of guys during “Parade”. Regardless, Otogi were smiling as always and as always introduced “Neon Boys” as “a theme song we have made especially for YOU!” They played their cover of “hoshi ni negau wo” (the Japanese version of “When You Wish Upon A Star”. Can be found on the compilation album ”Disney Rocks!”), and afterwards they took two requests from the audience. One was the aforementioned “Parade”, the other “Classic” if I remember correctly. I guess I should mention that at concerts in Norway there’s always someone yelling requests during the show, but in Japan no one ever does that. It’s nice to not have to listen to some idiot who won’t take a hint who yell’s between every single song. And it’s even nicer when the bands ask the audience what they want to hear. Before one of the last songs vocalist Arima started playing a bit from the Pixies – “Where Is My Mind?”! Full cover next time, please!
www.myspace.com/otgbanashi
I listened to Qomolangma Tomato on Myspace some time ago, but I didn’t like them very much. Live however they pretty cool. I realize that this happens to me way too often… What I discovered live that I hadn’t realised before was that they have a killer drummer, a fairly cool guitarist and interesting vocals. I’m not sure I’d go as far as to call it rap, more like talking-ish? Not spoken word though (lord no). Let's just call it rap. Their sound is raw and energetic, and they have some good tunes.
Ironically, although this was the “Camouflage” tour their 3rd album, I’ve come to like the first album 「チョモと僕は柵の中」("chomo to boku ha shigarami no naka") a lot more. Especially the two tracks below are cool. On "Camouflage" the songs are more down-tempo and there's more singing. Quite frankly this guy isn't a great singer at all, and his way more awesome when he's energetic and screaming rather than sensible and dull. Obviously.
Towards the end the drummer says "You know, by coming here tonight you've missed out on Gackt who played at Saitama Super Arena tonight." Oh the loss.
Qomolangma Tomato - Through Your Reality
Qomolangma Tomato - Shoutengai
www.myspace.com/qomolangmatomato
http://www.qomolangmatomato.com/
I always thought that Saitama was far, far away from Tokyo, but turns out it’s pretty close, and that Heaven’s Rock is a really good live venue. Heaven’s Rock lies a couple of minutes away from Saitama Super Arena which is as the name implies a huge arena. Today’s concert was a part of Qomolangma Tomato’s “Camouflage” album release tour, and on the bill they had Otogi Banashi and The Novembers. Otogi Banashi with their charming, sweet songs didn’t fit in anywhere musically, and the band themselves were really surprised to be invited to this event, but apparently Qomolangma were big fans.
I was a bit surprised to see that The Novembers were first up. Compared to Basement Bar with it’s cramped space and awful sound Heaven’s Rock was great. Spacious, no problem seeing the stage from far behind and an excellent sound. Crisp and clear sound quality from beginning to end. We were also able to stand further behind and see almost the entire stage without any problems. It could be because Novembers fans are surprisingly short. I'm so not kidding. There's something off when I feel tall.
I like Kengo’s guitar parts in “dnim”. Like calm waves in the background of an otherwise pretty violent song. They actually played all songs off Paraphilia. Another thing I noticed was that they didn’t play anything from their first self-titled EP at all.
www.myspace.com/thenovembers11
Otogi Banashi were super charming as always. I don’t think that many people had showed up to see them there, like I mentioned earlier they didn’t quite fit in. The crazy moshing from their oneman was nowhere to be seen except for a gang of guys during “Parade”. Regardless, Otogi were smiling as always and as always introduced “Neon Boys” as “a theme song we have made especially for YOU!” They played their cover of “hoshi ni negau wo” (the Japanese version of “When You Wish Upon A Star”. Can be found on the compilation album ”Disney Rocks!”), and afterwards they took two requests from the audience. One was the aforementioned “Parade”, the other “Classic” if I remember correctly. I guess I should mention that at concerts in Norway there’s always someone yelling requests during the show, but in Japan no one ever does that. It’s nice to not have to listen to some idiot who won’t take a hint who yell’s between every single song. And it’s even nicer when the bands ask the audience what they want to hear. Before one of the last songs vocalist Arima started playing a bit from the Pixies – “Where Is My Mind?”! Full cover next time, please!www.myspace.com/otgbanashi
I listened to Qomolangma Tomato on Myspace some time ago, but I didn’t like them very much. Live however they pretty cool. I realize that this happens to me way too often… What I discovered live that I hadn’t realised before was that they have a killer drummer, a fairly cool guitarist and interesting vocals. I’m not sure I’d go as far as to call it rap, more like talking-ish? Not spoken word though (lord no). Let's just call it rap. Their sound is raw and energetic, and they have some good tunes.Ironically, although this was the “Camouflage” tour their 3rd album, I’ve come to like the first album 「チョモと僕は柵の中」("chomo to boku ha shigarami no naka") a lot more. Especially the two tracks below are cool. On "Camouflage" the songs are more down-tempo and there's more singing. Quite frankly this guy isn't a great singer at all, and his way more awesome when he's energetic and screaming rather than sensible and dull. Obviously.
Towards the end the drummer says "You know, by coming here tonight you've missed out on Gackt who played at Saitama Super Arena tonight." Oh the loss.
Qomolangma Tomato - Through Your Reality
Qomolangma Tomato - Shoutengai
www.myspace.com/qomolangmatomato
http://www.qomolangmatomato.com/
Friday, August 7, 2009
The Novembers, Sister Jet
I decided that I wanted to see The Novembers a couple of extra times before I left
part 1.
June 30th, Shimokitazawa Basement Bar
Andymori's event. I found it odd that the Novembers had been invited to play at this event as the other band's playing this show were musically completely different. First up was actually a DJ from the club event Getting Better that played mostly brit-rock. That was unusual too as I believe a lot of people who listen to Japanese music don't listen that much to foreign music and vice versa. It was even stranger because the audience were standing completely still, waiting in front of the stage as they usually do before a concert, while loud club music was blasted out of the speakers. The DJ must have noticed, and towards the end of his set he apologized(!) for keeping people waiting: "The concert will start soon. It's not my fault." Poor guy.
First band Sister Jet looked like your average amateur high school band or something. I got the impression that they were inspired by music from the 60's, but they had problems recreating the good, old magic in their own music. In fact they didn't appeal to me whatsoever. Their songs were just ridiculously one-sided, taking the easy way out musically, "dance dance dance baby"-choruses and overall equally stupid lyrics. The funny thing though, they did some sort of cover of The Monkees - "Daydream Believer". I can't say that it was a great cover.
www.myspace.com/sisterjet
Apparently a lot of people had reserved tickets through the bands, but as I knew from previous experiences Basement Bar let reservations in last and tickets in first. I bought my tickets beforehand and got nr 8 and 9 which resulted in a front row spot. Sweet. I can't press enough how much getting a good view during a concert affects my impression of it. Good sound is of course important, but the combination of sound and visual is what keeps me going to gigs. The sound was in fact quite bad this time during The Novembers. We were almost unable to hear the vocals most of the time, although it became a little bit better towards the end. The guitar noise was perfect though. The sound tends to get noisy and grainy in small venues, but it fits the Novembers’ sound.
To me, the Novembers are a perfect live band. I know I’ll most likely sound like an infatuated fangirl, but their appearance on stage is so different from other bands. The atmosphere and the tension when they deliver those songs on stage is incredible. They say very little and although they come off as introverted there's something compelling about that. This is the first time I've been that close to the stage and I was amazed.
Lately the setlist has opened with “para” and ended with “hakuchi”. They also always include “dnim” and “philia”, so there are a lot of tracks from the latest mini album. I don’t mind considering it’s probably my favourite record of theirs. Whenever I hear the intro to “philia” my body starts tingling with excitement. I LOVE that song.
www.myspace.com/thenovembers11
After the Novembers we went outside for a while, and only saw about ten minutes of Andymori afterwards. The venue was packed and it was impossible to see anything from behind. Similar to the first time I saw them I wasn't too impressed with their live performance contrary to their CD which isn't half bad at all (I will write a review later on). We heard them play their 大-hit "Everything Is My Guitar", and then we left.
Sunday, March 22, 2009
THE NOVEMBERS - paraphilia
New mini album (EP) from The Novembers. The first time I heard The Novembers in 2007 I sort of wrote them off as merely another emoband (nothing wrong with emobands though), but they have evolved so much since then. Their shoegaze influences have been apparent before as well, but this time they've really accomplished a great sound. I particularly love the opening track "philia". The sound is light and lush, and it stands apart from all their previous songs. They still keep their characteristic screamo-ishness intact with the second track "dnim", but the arrangements are definitely more nuanced now.As for the lyrics, vocalist Yusuke Kobayashi is still brutally honest. The contents are indeed emotional, but also dark and twisted, and the way he rips his heart open sure keeps your attention. Hearing "keep me keep me keep me" and "mer" for the first time I almost thought they were a bit over the top, especially the parts with high pitched vocals, but if you're in the right mood I think it works well.
I've been listening to this record almost non-stop since I bought it, and I think it's great. May 1st the band is doing a oneman show at Shibuya Quattro, and I'm excited to hear the new songs live.
tracklist:
1. philia
2. dnim
3. keep me keep me keep me
4. para
5. mer
THE NOVEMBERS - philia
THE NOVEMBERS - dnim
Wednesday, February 25, 2009
The Novembers vs 6eyes
February 21st, Basement Bar shimokitazawa Basement Bar was tiny and crowded, but somehow I managed to get a perfect view from standing at the very back leaned against the wall. A rare moment for someone who's 160cm tall. Tonight was a 2-man (ie only two bands playing, ne). I had no idea which band was going to play first, and I did not want to stand in the front during 6eyes (more about that later). Turned out though, that there was an opening act as well.
Five guys in white shirts entered the stage, and it sure as hell were neither Novembers or 6eyes. At first I was convinced that they said "Christmas" when they introduced themselves (which would have been strange - and off season), but it was CLISMS. I recognized two off the members instantly as they were in fact the drummer and the guitarist from Otogi Banashi! I had no idea they played in a different band as well. They played sort of sixties(?)-inspired rock with simple vocals. Not exactly my cup of tea, but enjoyable. Kenta Ushio (from Otogi) is pretty great on guitar.I was still uncertain about who was up next when the Novembers entered the stage for soundcheck. First thing that caught my attention: Vocalist Yusuke Kobayashi's blonde hair. It's not unusual for people to colour their hair (although now that I think about it I can't come up with a single person in a japanese indierock band who has), but Yusuke certainly does stand out. Before he usually would make his hair huge and fluffy and bird-nesty. I didn't see the link before, but he does love the Cure, so it might be slightly inspired by Robert Smith (minus the make-up). When I saw the Novembers in January it was colored brown, and as my friend predicted now it was blonde. And with the usual do, he looked like some kind of 80's poodle rocker. Lovely.
Anyways, I love watching the Novembers live. Both guitarists and the bassist are rocking out and headbanging like this is the last show they'll ever play, and it's incredible to watch. You can never see their faces, because their hair is always covering it, and frankly I don't think they mind not being able to see the crowd or vice versa. They're certainly introverted, but it suits their music. Shoegaze-inspired rock with emovocals and twisted lyrics. They also have catchy melodies, but live I think it's all about making a lot of noise. Especially the title track off their first album "picnic", last song on the album and last during tonight's set. It starts calm and then builds up towards the amazing final. Love it. Last time I saw them Yusuke hurt his leg and blood started gushing from his hand. This time it ended less dramatic, but the energy level was still pretty high. They played a couple of new tracks as well from their upcoming mini-album "paraphilia" due to be released on March 18th.
I saw 6eyes at a club event before Christmas and quite frankly I thought they were awful. I was going to give them a chance, but when you open with a cover of Michael Jackson's "Thriller".... They play rock/punk your supposed to dance to, but there was little in me that felt like dancing when I heard their dull, dull music.
Ahem, anyways, being the open person that I am I decided to give them another chance. Musically they didn't strike me as interesting this time either, but the vocalist was kind of entertaining. And a bit scary. He jumped into the crowd several times, and started passing the mic around. Thank God I was standing in the back. He also grabbed a water bottle from the stage and said: "I think this originally belonged to the vocalist of the Novembers. I'll take 3000yen for that afterwards". Funny! (the Novembers who said during their set that they loved 6eyes were nowhere to be seen)
They ended the show with their 大hit, which title escapes me, but I actually recognized it.
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